PDF Ebook The Cultivation of Body and Mind in Nineteenth-Century American Delsartism: (Contributions to the Study of Music and Dance), by Nancy Ruyt
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The Cultivation of Body and Mind in Nineteenth-Century American Delsartism: (Contributions to the Study of Music and Dance), by Nancy Ruyt
PDF Ebook The Cultivation of Body and Mind in Nineteenth-Century American Delsartism: (Contributions to the Study of Music and Dance), by Nancy Ruyt
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This study chronicles the American adaptation of the theory and practice of the French acting, singing, and aesthetics teacher, Francois Delsarte. Delsartism was introduced in the United States by Steele Mackaye, Delsarte's only American student. American Delsartism, with its emphasis on physical culture and expression, differed significantly from Delsarte's works in France. The system evolved from professional training for actors and orators to a means of physical culture and expression that became popular among middle and upper class American women and girls. It allowed nineteenth-century women to pay attention to their bodies, to explore their own physicality, and to perform in a socially acceptable venues. In its later manifestations, Delsartism influenced the innovative dance of such artists as Isadora Duncan, Ruth St. Denis, and Ted Shawn. Biographical information on the most notable figures in the development of American Delsartism is presented along with a discussion of the spread of Delsartism throughout the United States and to Germany. The Delsartean approach to training and expression is traced from Delsarte and Mackaye through the theory, teaching, and performance of Genevieve Stebbins, the most notable American proponent of the system.
This work will appeal to scholars of dance history and of late nineteenth-century women's studies. Theater historians will appreciate the detailed account of the system as developed and taught by Steele Mackaye as training for actors. Although Delsartism has been acknowledged as relevant to the history of modern dance, scant information and research has previously been published which explores the movement in depth and discusses its importance to women's physical and cultural education in nineteenth-century America. Photographs illustrate the text and an extensive bibliography serves as a useful guide for further research.
- Sales Rank: #4700772 in Books
- Published on: 1999-09-30
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .56" w x 5.98" l, 1.08 pounds
- Binding: Hardcover
- 200 pages
Review
"Ruyter's ability to synthesize diverse materials and to write lucid, engaging prose stands out among the many virtues of this book. She proceeds from an awe-inspiring command of the Delsarte literature and archival sources, not to mention fields such as speech and theatre, physical culture, women's studies, dress reform, education, and occult religion. Her physical experiments with Stebbins' exercises feed into her broader understanding of dance and theatre, enabling her to produce remarkably clear accounts of movement work in the past."-Dance Chronicle
"This is a relevant title not only for dance historians but also for those interested in aspects of the development of body-mind attitudes in European and US culture."-Choice
"Ruyter's study is both scholarly and entertaining and is written in a language that is clear, unpretentious and exact. She reminds us that American Delsartism left an extensive social as well as artistic legacy that is not always acknowledged and provides a welcome introduction to the phenomenon that not only helped shape theories of acting and modern dance in the United States but is important to the field of American cultural studies as well."-Theatre Research International
?This is a relevant title not only for dance historians but also for those interested in aspects of the development of body-mind attitudes in European and US culture.?-Choice
?Ruyter's study is both scholarly and entertaining and is written in a language that is clear, unpretentious and exact. She reminds us that American Delsartism left an extensive social as well as artistic legacy that is not always acknowledged and provides a welcome introduction to the phenomenon that not only helped shape theories of acting and modern dance in the United States but is important to the field of American cultural studies as well.?-Theatre Research International
?Ruyter's ability to synthesize diverse materials and to write lucid, engaging prose stands out among the many virtues of this book. She proceeds from an awe-inspiring command of the Delsarte literature and archival sources, not to mention fields such as speech and theatre, physical culture, women's studies, dress reform, education, and occult religion. Her physical experiments with Stebbins' exercises feed into her broader understanding of dance and theatre, enabling her to produce remarkably clear accounts of movement work in the past.?-Dance Chronicle
About the Author
NANCY LEE CHALFA RUYTER is Professor of Dance at the University of California, Irvine.
Most helpful customer reviews
16 of 17 people found the following review helpful.
A Wealth of American Theater History
By Luane Ruth Davis
I greeted the publication of Nancy Lee Chalfa Ruyter'snewest addition to the information of Francois Delsarte withenthusiasm and was pleased to find the book even better than I had hoped. Delsarte's theories are an especial passion of mine and presently all printed materials on his work are out of print and accessible only through intimate familiarity with the reference sections of the library. In THE CULTIVATION OF BODY AND MIND IN NINETEENTH CENTURY AMERICAN DELSARTISM Ms. Ruyter has compiled a very though and easily followed chronology of the development of the Delsarte theory as it grew in the American social climate of the late Nineteenth century. In case this makes you think the book is a dry reference text let me assure you that the writing style is able to express the author's clearly twentieth century point of view and sense of humor without blurring the accuracy of the factual information. In short: fascinating information with a compelling writing style. She has something to say and knows how to put it! I am presently the Artistic Director of Interborough Repertory Theater (IRT) in New York City's Greenwich Village. For the past 7 years we have been developing a project called Del-Sign , a combination of Francois Delsarte's techniques and American Sign Language (ASL).. The development process has required me to do some very deep research into the American Delsarte movement and I am very familiar with the more obvious references such as: EVERY LITTLE MOVEMENT by Ted Shawn, THE ESSENTIAL DELSARTE by John W. Torn, THE ACTOR'S ART Edited by Sir John Alexander Hammerton as well as texts from the era such as THE AMERICAN STAR SPEAKER by Charles Walter Brown. A recent trip to Paris, France exposed me to other European references as well. So it is from a relatively informed perspective that I wholeheartedly recommend Ms. Ruyter's addition to this body of knowledge. Her work is informative, entertaining and detailed. She has added a great deal to my studies and has given me new insights to work with. There is a unique perspective here too for those interested in "women's issues" such as: social manners of the era, treatment of women in society or the blossoming of athleticism for women at the run of the century. This is a book well worth the cover price. (Luane Ruth Davis is an Assistant Professor in the Cultural and Creative Studies Department of the National Technical Institute for the Deaf (NTID) and the Artistic Director of the Interborough Repertory Theater(IRT).
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