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This work presents 12 of the most volatile ethical issues facing the music industry. Real-life examples depict both sides of each controversy, and the list of resources provides tools for readers who wish to pursue the controversies further. Primary sources including court cases and excerpts from speeches help students build critical thinking skills in current issues, persuasive writing, and debate classes.
Among the controversies noted is the growing oligopoly of a few multinational music companies and the independent labels that are attempting to survive this market dominance. Drug abuse and violence depicted in music is discussed, as is its influence on young listeners. These issues and many more are discussed in detail as the authors outline the controversial topics of the music industry.
- Sales Rank: #233549 in Books
- Published on: 2001-09-30
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .69" w x 6.14" l, 1.37 pounds
- Binding: Hardcover
- 288 pages
From Booklist
Third title in the Contemporary Controversies series. Among the 12 issues that are covered are drugs, copyright, and marketing. RBB
Copyright © American Library Association. All rights reserved
Review
"This work looks at 12 of the most volatile ethical issues facing the music industry...Considering the world that budding young musicians will find, discussing the ethical issues in music classes will be helpful. Furthermore, the topics may well serve as debate issues for the debate club. Recommended."-Gale Reference for Students
"This is a useful compendium of issues that just never seem to get resolved."-Communication Booknotes Quarterly
"The material presented in the book is thorough and honestly-thought provoking....Teachers might find this book useful to engage unenthusiastic students."-VOYA
..."very compelling....the book's historical perspective and balance makes it a worthy study for those of us seeking a deeper understanding of the forces at work in our industry."-Music Row
"Designed for undergraduate students in music industry courses and programs, this volume presents an up-to-date discussion of crucial issues and helpful references. Recommended for lower- and upper-division undergraduates and professionals."-Choice
?This is a useful compendium of issues that just never seem to get resolved.?-Communication Booknotes Quarterly
?The material presented in the book is thorough and honestly-thought provoking....Teachers might find this book useful to engage unenthusiastic students.?-VOYA
?...very compelling....the book's historical perspective and balance makes it a worthy study for those of us seeking a deeper understanding of the forces at work in our industry.?-Music Row
?Designed for undergraduate students in music industry courses and programs, this volume presents an up-to-date discussion of crucial issues and helpful references. Recommended for lower- and upper-division undergraduates and professionals.?-Choice
?This work looks at 12 of the most volatile ethical issues facing the music industry...Considering the world that budding young musicians will find, discussing the ethical issues in music classes will be helpful. Furthermore, the topics may well serve as debate issues for the debate club. Recommended.?-Gale Reference for Students
.,."very compelling....the book's historical perspective and balance makes it a worthy study for those of us seeking a deeper understanding of the forces at work in our industry."-Music Row
About the Author
RICHARD D. BARNET is a Professor in the Department of the Recording Industry at Middle Tennessee State University./e He has worked in various positions in the music industry, including artist management, booking, concert promotion, television, and live show music production, performance, and conducting. He is a former officer of the Music and Entertainment Industry Educator's Association and a gubernatorial appointee to the Tennessee Film, Entertainment, and Music Advisory Council as well as a member of the National Academy of Recording Arts and Sciences.
LARRY L. BURRISS is a Professor of Journalism at Middle Tennessee State University./e He served as Director of the School of Journalism and was the first director of its graduate program. Burriss has published extensively on First Amendment issues, and has won numerous awards, including the Tennessee Associated Press Radio award, for his written and broadcast commentaries.
Most helpful customer reviews
1 of 2 people found the following review helpful.
Could be so much better
By jessica loranger
In just reading one chapter, I find myself wanting a red pen for so many things--sometimes for word choice, awkward wording, and sometimes for questionable content. First in my mind: the sentence that suggests Nirvana's cover of "The Man Who Sold the World" might be "music of the 1999 war in Kosovo"(p51) and that Clinton and Milosevic "could have been the targets of Nirvana's version." Um, yes could have been, if in fact Kurt Cobain had been alive in 1999!! This is a major oversight. Maybe there is something I am missing--something the authors are not telling me or something I just don't know about the connections between the Nirvana cover and the 1999 Kosovo conflict. Either way, the authors are not giving me enough (or correct) information. One other point of contention (sure there are others but this one is memorable)--the conjecture that "...the notion of music as message is of fairly recent origin [in the United States I assume they mean] and can be traced back to the 1930s and 1940s [with] artists such as Woody Guthrie." (p49) We all know how influential Guthrie truly was, but how about the labor movement of the early 1900s and Joe Hill? Just leave that out...And so it goes in this book. Still some material worth reading (a rare discussion of music and the first Gulf War, industry-related topics), but check it out from the library and skim it. Not super scholarly--written for high school/college undergrads. Easier to understand than many academic books, but carelessly written.
0 of 1 people found the following review helpful.
Great for students doing history papers
By Quality Hunter
I showed the other review to a professor with a Ph.D. in English Composition, and he said that it is a joke. Probably a high school English teacher who has never written a chapter, let alone a book.
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