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Myth, legend, and folklore have been entrenched in children's literature for several centuries and continue to be popular. Some of the most ancient traditional tales still extant come from the Celtic cultures of France and the British Isles, whose languages are among the oldest in Europe. Among these tales are four native Welsh legends collectively known as the Mabinogi, which were first translated into English in 1845 by Lady Charlotte Guest. Numerous children's books have been based on the Mabinogi since then, and many have received awards and critical acclaim. Because these books are written for children, they are not necessarily faithful retellings of the original tales. Instead, authors have had to select certain elements to include and others to exclude. This book examines how authors of children's fantasy literature from the 19th century to the present have adapted Welsh myth to meet the perceived needs of their young audience.
The volume begins with a summary of the four principle tales of the Mabinogi: Pwyll Prince of Dyfed, Branwen Daughter of Llyr, Manawydan Son of Llyr, and Math Son of Mathonwy. Books based on the Mabinogi generally fall into two categories: retellings of the myths, and original works of fantasy partially inspired by the Welsh tales. Beginning with Sidney Lanier's The Boy's Mabinogion, the first part of this book examines versions of the myths published for children between 1881 and 1988. The second part discusses imaginative literature that borrows elements from the Mabinogi, including Alan Garner's The Owl Service, which won a Carnegie medal, and Lloyd Alexander's Chronicles of Prydain, the final volume of which received the ALA Newbery Award for outstanding children's book.
- Sales Rank: #5313070 in Books
- Published on: 1998-04-08
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .56" w x 5.98" l, .99 pounds
- Binding: Hardcover
- 176 pages
From School Library Journal
In this highly readable volume, White concentrates on the ancient stories known collectively as the Mabinogi. She explores the various retellings that have been published in the last 150 years, focusing on the appearance of these stories and themes in original fantasy literature for children, most notably in the work of British writer Alan Garner and American author Lloyd Alexander. In exploring their novels, White illuminates the connection between the ancient legends and the authors' own creative inventions in plot, characterization, and theme. Other writers who have adapted parts of the Mabinogi in their books are discussed in less depth. Occasionally, White's own critical prejudices are too apparent; she is curiously dismissive of Nancy Bond's remarkable fantasy, A String in the Harp. However, she makes some fascinating points about the importance of fantasy, its appeal to certain types of readers, and the different perceptions of the genre in England and America. A significant study to support children's literature courses and for those with an interest in these distinctive myths.
Connie C. Rockman, Stratford Library Association, CT
Copyright 1999 Reed Business Information, Inc.
Review
"[W]ell-written and insightful book....White has done a wonderful job analyzing the fictional stores without shredding their artistic power. In fact, reading this story inspires one to rush out and read or reread the works she discusses. White writes with a down-to-the-bones feel for the book's literary qualities as well as an understanding of their Celtic influences. Her book...is written in an accessible style, which makes it inviting fare for story lovers and scholars alike. This book would be especially interesting for authors, who can explore how masters of fiction incorporate mythological elements without overwhelming their own storylines or flattening their own characters. And it might inspire librarians or other custodians of the bookshelves to promote wider availability of authors such as Jenny Nimmo, who are not as well knows in the United States as they should ought to be."-Children's Literature Association Quarterly
"[I]nteresting and often entertaining."-Cambrian Medieval Celtic Studies
"This insightful book is valuable for research libraries or in schools where specific genres receive individulal emphasis."-The Book Report
"From Alan Garner to Lloyd Alexander, any follower of children's fantasy writings will recognize the unique value of this survey."-Midwest Book Review
"[A] highly readable volume....[S]e makes some fascinating points about the importance of fantasy, its appeal to certain types of readers, and the different perceptions of the genre in England and America. A significant study to support children's literature courses and for those with an interest in these distinctive myths."-School Library Journal
"ÝI¨nteresting and often entertaining."-Cambrian Medieval Celtic Studies
"ÝA¨ highly readable volume....ÝS¨e makes some fascinating points about the importance of fantasy, its appeal to certain types of readers, and the different perceptions of the genre in England and America. A significant study to support children's literature courses and for those with an interest in these distinctive myths."-School Library Journal
"ÝW¨ell-written and insightful book....White has done a wonderful job analyzing the fictional stores without shredding their artistic power. In fact, reading this story inspires one to rush out and read or reread the works she discusses. White writes with a down-to-the-bones feel for the book's literary qualities as well as an understanding of their Celtic influences. Her book...is written in an accessible style, which makes it inviting fare for story lovers and scholars alike. This book would be especially interesting for authors, who can explore how masters of fiction incorporate mythological elements without overwhelming their own storylines or flattening their own characters. And it might inspire librarians or other custodians of the bookshelves to promote wider availability of authors such as Jenny Nimmo, who are not as well knows in the United States as they should ought to be."-Children's Literature Association Quarterly
?[I]nteresting and often entertaining.??Cambrian Medieval Celtic Studies
?[I]nteresting and often entertaining.?-Cambrian Medieval Celtic Studies
?This insightful book is valuable for research libraries or in schools where specific genres receive individulal emphasis.?-The Book Report
?From Alan Garner to Lloyd Alexander, any follower of children's fantasy writings will recognize the unique value of this survey.?-Midwest Book Review
?[A] highly readable volume....[S]e makes some fascinating points about the importance of fantasy, its appeal to certain types of readers, and the different perceptions of the genre in England and America. A significant study to support children's literature courses and for those with an interest in these distinctive myths.?-School Library Journal
?[W]ell-written and insightful book....White has done a wonderful job analyzing the fictional stores without shredding their artistic power. In fact, reading this story inspires one to rush out and read or reread the works she discusses. White writes with a down-to-the-bones feel for the book's literary qualities as well as an understanding of their Celtic influences. Her book...is written in an accessible style, which makes it inviting fare for story lovers and scholars alike. This book would be especially interesting for authors, who can explore how masters of fiction incorporate mythological elements without overwhelming their own storylines or flattening their own characters. And it might inspire librarians or other custodians of the bookshelves to promote wider availability of authors such as Jenny Nimmo, who are not as well knows in the United States as they should ought to be.?-Children's Literature Association Quarterly
About the Author
DONNA R. WHITE is Assistant Professor of English at Clemson University. She has published several articles and reviews on Welsh myth and children's literature.
Most helpful customer reviews
8 of 8 people found the following review helpful.
A comprehensive review of Welsh myths adapted for children
By A Customer
White, Donna. A Century of Welsh Myth in Children's Literature. Jefferson, N.C.: Greenwood, 1998. hardcover. pp. 162 ISBN: 0-313-30570-6.
In her book A Century of Welsh Myth in Children's Literature, Donna White contends, "Some of the best children's fantasy available is based on Welsh traditional literature" (142). Given the authors she chooses to examine, her argument is persuasive. Newbery Medal winners Lloyd Alexander and Susan Cooper, Guardian Award and Carnegie Medal recipient Alan Garner, and Tir na n-Og Award recipients Susan Cooper, Frances Thomas, and Jenny Nimmo all received recognition for their fiction based on Welsh legends.
"Although I am not the first person to have examined the influence of Welsh traditional literature on modern fantasy, I am the first to look at the material historically and chronologically as children's literature," says White. Her approach can be used as a companion piece to the best-known work on the subject, C. W. Sullivan's Welsh Celtic Myth in Modern Fantasy (1989) as well as to Kath Filmer-Davies's Fantasy Fiction and Welsh Myth: Tales of Belonging (1996). The studies by Sullivan, Filmer-Davies, and White overlap in coverage, but White's study of the techniques by which authors integrate the myths into audience-specific writings differs from Sullivan's research into the thematic influences on fantasy and Filmer-Davies's critique of themes within fantasy. White's approach is unique in both the scope of works covered and her focus on literature for children and young adults.
Noting the obstacles to incorporating myths originally intended for an adult audience into children's literature, White traces the evolution of the original Welsh tales, first into translations and re-tellings intended for a younger audience (1881 - 1988) and then into fiction drawing upon different elements of the original lore (1830 - 1990). She synopsizes each of the Four Branches of the Mabinogi in her Introduction, enabling the reader to derive meaning from references throughout the text without scurrying off to find the nearest translation of the myths. This section also introduces the seminal work by Lady Charlotte Guest. An Englishwoman who taught herself medieval Welsh, Lady Guest published the first complete English translation of the myths in a seven-volume set (1838 - 1845). Along with the Four Branches, Lady Guest included stories from the Red Book of Hergest and the Book of Taliesin. These tales together comprise The Mabinogion, while the Four Branches alone are known as The Mabinogi. Among the titles White discusses are Welsh author Kenneth Morris's Book of the Three Dragons (1930), the first attempt to fictionalize the Mabinogi in children's literature, Alan Garner's The Owl Service and Lloyd Alexander's Chronicles of Prydain, thoroughly examining the influence of the Mabinogi on these gifted writers and explaining their influence on later authors. A section on "The Mabinogi in Fiction, 1970-1992," discusses works by Susan Cooper, Nancy Bond, Madeleine L'Engle, Frances Thomas, Louise Lawrence, Clare Cooper, Joan Aiken, Grace Chetwin, and Jenny Nimmo. Several pages are devoted to Susan Cooper's The Dark is Rising sequence (1966-1977). Close to half of this chapter is dedicated to the works of Jenny Nimmo, including The Snow Spider (1986), Emlyn's Moon (1987) and The Chestnut Soldier (1989).
White's writing has many strengths; particularly interesting is her explanation for the fits and starts by which Welsh myth has proven influential. While many other countries embraced their folklore, Welsh authors never seemed to celebrate the rich wonder inherent in their lore that would lend it so readily to stories for young people. White attributes this to Anglicization in Wales that suppressed the country's culture and language. With the popularity of Garner and Alexander, another hurdle appeared -- few writers dared comparison with these masters of YA fantasy. White's commentary investigates the very different approaches each took in incorporating Welsh myths into their stories.
Beyond her scholarship, what makes White's book so enjoyable are her willingness to challenge earlier scholars and her humorous, conversational style. Although it is not necessarily an integral element to successful criticism, I enjoyed her dry sense of humor. She often provides personal translations for Welsh phrases.
Overall, White is engaging and eminently readable. Due to the chronological nature of the text (and the early thumbnail sketches of the Mabinogi), the chapters may not be as effective when read independently, although readers familiar with the subject will certainly benefit. This excellent study belongs in public and college libraries and is recommended to scholars of both Welsh lore and children's literature.
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